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stories filed under: "content"
Legal Issues

Legal Issues

by Mike Masnick


Filed Under:
content, default judgment, section 230, takedowns



Sneaky Way To Get Past Section 230 Safe Harbors To Force Content Offline

from the this-should-be-watched dept

We all know the importance of Section 230 safe harbors that protect a service provider from actions done by its users. While there have been a few cases that chipped away at those protections, on the whole, they're quite solid. However, Eric Goldman brings us the story of how some lawyers seem to be dealing with this. They've stopped suing the sites directly, but they then file a lawsuit against the party who actually created the content they want taken down -- but if that person does not show up in court, then the suing party can get a default judgment, and then use that default judgment to get the content taken offline -- since the default judgment can be used to enforce injunctions against third parties. From the perspective of the suing party, then, they have every incentive in the world to try to get a default judgment, rather than even fighting with the real person in court. Then, with the default judgment, they can force a site to take down the content. As Goldman notes:

For the price of a complaint and a defendant's default (which can be engineered by targeting a phantom author), plaintiffs obtain an effective cudgel to excise unwanted content throughout the web.
That's not a good thing.

36 Comments | Leave a Comment..

 
Culture

Culture

by Mike Masnick


Filed Under:
advertising, commercials, content, local comercials

Companies:
cullman liquidation, microbilt, ray's midbell music



Content Is Advertising: Free Local Commercials, Sponsored By Another Company

from the get-yourself-a-home.-or-don't.-i-don't-care. dept

Via Adam Savage, I heard about a fun project that highlights the advertising is content, content is advertising concept in multiple ways. It's a site called ILoveLocalCommercials.com, which features two filmmakers going around the country making (free -- and awesome) TV commercials for local businesses that are nominated on the site. As mentioned, the commercials are really quite impressive, such as the "brutally honest" commercial for Cullman Liquidation ("get yourself a home, or don't, I don't care") or for Ray's Midbell Music that involves a rap about how being in the school band is cool:



The commercials are really entertaining in their own way, and have garnered hundreds of thousands of views -- again, demonstrating how good advertising is content. The guys making the videos also put up a short "behind the scenes" version of each video as well, to explain the backstory a bit more. The backstory on Cullman Liquidation is pretty entertaining as well.

But why are these guys doing this? Well, the whole thing is actually part of a promotion from another company, MicroBilt, that's trying to promote its own line of small business services. So it's paying for the whole thing -- showing how content is advertising. None of the videos are actually about MicroBilt, but in sponsoring the entire site and the whole process, it's helping to get its name out there in a fun (non-intrusive, non-annoying, non-sneaky) manner. It's not about product placement or trying to "sneak" a brand into something. Everything's totally upfront. But it's a fun project, with highly entertaining content that shows both how advertising is content and how content is advertising.

Oh yeah, and it appears that Cullman Liquidation has also picked up on the whole "looooooooooots of t-shirts" concept. On the Cullman Liquidation website, the company is selling t-shirts based on the commercial...

5 Comments | Leave a Comment..

 
(Mis)Uses of Technology

(Mis)Uses of Technology

by Mike Masnick


Filed Under:
content, security, video, vpn

Companies:
hulu, witopia



Dear Hulu: Stop Treating Me Like A Criminal

from the if-you-don't-want-me-to-watch... dept

I mentioned recently that, for some idiotic reason, Hulu has stopped letting me view any of its content. That's because I use WiTopia's VPN service for security reasons. It seems that plenty of other WiTopia users are discovering this, as well, and are getting annoyed. The issue is that Hulu wants to block people from outside the US from viewing its content (for licensing reasons, even if they're pretty pointless in today's world). But, for some bizarre reason, it's been decided that anyone who uses any sort of VPN or proxy can't use Hulu at all because they might be coming from a foreign country. I'm sitting here in California and Hulu tells me I might be illegally accessing its content, so it doesn't allow it. So, instead, I don't give Hulu any additional ad views and I don't watch the content I wanted to watch. How does that help anyone? It appears to make everyone worse off. And it's not like WiTopia is some free anonymous proxy -- it's a pay-service that has been around for ages and is used regularly for WiFi security purposes. Many of its users are US-based (the company is based in the US, and most of its servers are in the US as well). So, because (gasp!) a small group of people outside the US might dare to catch a video (with ads!!), all of Witopia's US customers can't watch any content at all? This is the same ridiculous content industry mindset that drives so many people to unauthorized file sharing: they treat you as a criminal first and force you to prove you're not (or sometimes, don't even let you prove otherwise). The problem the industry is facing isn't due to some guy in Europe catching The Colbert Report from across the sea. It comes from turning off legitimate customers and users who are sick of being treated like crap.

108 Comments | Leave a Comment..

 
Culture

Culture

by Michael Ho


Filed Under:
advertising, content, infinite goods, scarce goods, significant objects

Companies:
slate



Making The 'Significant Objects' Project... Even More Significant

from the recycling-for-profit dept

Back in July, we commented on the Significant Objects project where 100 authors are writing up 100 stories involving 100 various trinkets -- and then selling those stories along with the associated items on eBay for a tidy profit. (The project originally struck me as an experiment to see if the one red paperclip stunt could be mass produced in some way as a sustainable publishing business.) Now, just a few months later, Slate has teamed up with the Significant Objects folks with a contest for Slate readers to submit their own 500-word stories about a cheap tchotchke -- a BBQ sauce jar bought at a thrift store for $0.75. The contest attracted over 600 stories to be judged by Slate and the Significant Objects founders, and the winner gets the honor of being picked as well as the proceeds from its eBay auction -- which has a current bid (and profit) of about $20.

This contest is brilliant in that it not only highlights the concept that every product is a bundle of scarce and infinite goods, but it also demonstrates that content can be used to engage with an audience as a form of entertaining advertising. For the price of a bauble and some editorial judging, Slate connected with its fans and gathered a bit of demographic information on its readers who sent in a story (submissions had to be accompanied by an email address and location). Imagine if Slate had instead put a banner ad on its website with a form to fill out for personal information, the response rate for that would likely be much much lower. But with this contest, the cost of the BBQ jar was negligible, and Slate editors spent their time reading stories and got a peek into the creative minds of its readership. Okay, the drawback is that the submission judging process is actually not a trivial task, especially when there are more than a handful of entries (and more than a couple judges). Even Google hasn't exactly figured out how to judge its own Project 10100 contest. However, the search giant opened up the judging to let anyone vote on winners to help narrow down the selection. (And there are other examples of crowdsourced judging processes like Threadless's tshirt designs.) So I envision the next generation of advertising contests reaching out to audiences, calling upon more volunteers, and trying more and more creative campaigns to produce scarce goods out of thin air.

77 Comments | Leave a Comment..

 
Say That Again

Say That Again

by Mike Masnick


Filed Under:
brad smith, business models, content, dan cooper, doug lichtman, lawyers, scott martin

Companies:
microsoft, myspace, paramount



Lawyers Discussing Business Models

from the dancing-about-architecture dept

Doug Lichtman's latest "IP Colloquium" podcast is on the question of whether or not "content can survive online." Specifically, it's a discussion about "online content business models." Oddly, though, rather than having business model experts, it's a conversation with four lawyers, starting with Doug, and including Brad Smith, General Counsel, Microsoft; Scott Martin, Executive Vice President, Intellectual Property, Paramount Pictures; and Dan Cooper, Vice President, Legal & Business Affairs, MySpace. Lichtman starts it off, oddly, by stating -- as if fact -- that talking about business models online is depressing because there's just not much in the way of business models online for content. I think that's damning things a bit early in the process -- something that comes up again later.

While I realize that the podcast is a legal podcast, it still strikes me as odd to bring together four lawyers to have them discuss business models, when their expertise is not in business at all, but in the law.

The podcast starts out with a discussion on the Google Book search and settlement, but oddly no one even seems to give any credit to the fair use question. But, again, since these are lawyers we're talking about, there really isn't much of a discussion on business models around Google Book Search, but on legal questions -- including a hope that Congress steps in to solve it. Amusingly, Microsoft's Smith early on suggests that it's a question Congress could solve "if the industry got behind it; if copyright holders got behind it." Striking, huh? He basically admits how copyright law works in this country. It's not about what's best for the overall society or economy. It's not about the politicians fixing things where they see a problem. It's not about consumers. It'll happen if the industry gets behind it. Welcome to the way things work in DC. The rest of this part of the discussion is interesting -- and it's one (rare) case where I mostly agree with Lichtman, that as a resource, Google's Book search is incredibly useful, and we should figure out some way for it to happen.

From there, the discussion moves on to other business models, and quickly seems to head off in directions that I don't think are accurate from a business model standpoint. It starts off with two premises set forth by Lichtman, each of which I think is suspect. First, he claims that piracy is a problem because "you can't compete with free." Frankly, I'm sick of this argument because it makes no sense economically or from a business standpoint. Economically, saying that you "can't compete with free" is the same thing as saying you can't compete -- period. It assumes, falsely, that the only way to compete is on price, but the history of the economy shows that's not true. You compete on price or you compete on benefits, and competing on price is often a losing battle anyway. Saying "you can't compete with free" just means you only know how to compete on price. If that's the case, you shouldn't be in business.

And, to make that point clear, tons of companies compete on benefits, and allow other companies to offer lower priced offerings. The popular example, of course, is "water," whereby it's free (or near free) to drink out of the tap, but the bottled water business is a multi-billion dollar business. Why? It tries to compete on other factors -- such as convenience, quality or safety (though, there are arguments that many of these benefits are perceived rather than real). But it's true in just about any other business as well. In the automobile business, a BMW costs more than an entry level Ford, and that's because BMW is seen to have a lot more scarce value. Ford could "copy" BMW, but BMW has its reputation and some amount of prestige that Ford simply can't copy.

Anyone who's in business recognizes that you don't just compete on price. So why is it that so many seem to assume that the only way to compete in the content market is on price?

Lichtman's second premise is that online business models don't work. He says that Hulu hasn't been a success because it doesn't make as much as TV, and that if Hulu displaces TV we "won't have the money to pay for" expensive TV show production. He claims that even if Hulu is really successful, it'll never make enough money to pay for the production of a show like Battlestar Galactica. First off, huh? How does he know that? If Hulu is successful, it absolutely could pay for such production. Already, we're seeing that some of the online ad rates are higher than TV ad rates. Hulu's barely been around for two years at this point. I'd be willing to bet that Hulu's revenue today greatly exceeds the revenue of television two years after it was invented. Give it time, Doug!

He then jumps on Redbox -- sarcastically saying "we're renting movies at a dollar per day?" Suggesting that this will never sustain the development of movies. Really? I always find it amusing when people insist that problems in the DVD market will mean the death of Hollywood. It really was just 25 years ago that Hollywood insisted that the VCR would kill the industry (Boston Strangler, anyone?). Now they finally get their "original" wish, and find that putting movies on recordable media is going away, and it's the worst thing in the world?

Either way, the economic fallacy that Doug seems to be relying on here is twofold. First, he assumes that early business model experiments are set in place and no further innovation will occur that allows them to flourish. He assumes that the markets won't grow, and some of these experiments won't click and get much bigger. Second, he seems to assume that the old revenue numbers for these industries need to be sustained. He doesn't consider that the old revenue numbers may have been a result of monopoly rents, limited competition or technological limits. Markets change all the time, and usually what comes out in the end is much better (subjective, I know, but I'm a believer that the world is a better place today than it was 25 years ago -- and that it will be even better 25 years from now).

But, of course, no one challenges him on this. Scott Martin at Paramount, of course, worries quite a bit about piracy of movies. While he admits (finally!) that he's just the lawyer, rather than the business guy, he discusses it in the terms of adding more windows to movie releases, rather than any discussion of adding more value to the product, or giving people reasons to buy beyond just the content. Then Martin repeats the myth that you can't compete with free, but leads in with a different myth -- claiming that the "copyleft" people say that piracy would go away if they just priced their movies better. That's a strawman argument. Perhaps someone out there made that argument, but it's hardly common. Then he says that "the idea that if we charged $2 a download instead of $10 a download, we'd get rid of piracy is a myth." Sure, it's a myth, but no one said that. You can't get rid of piracy. No one thinks you can get rid of piracy. No one suggested anything you do would "get rid of piracy." What many of us are suggesting is that you can build business models where that piracy isn't a problem. Even the people suggesting you just charge $2 instead of $10 aren't saying it would "get rid of piracy," but that at $2, enough people would pay for it that it would increase profits beyond what the $10 DRM'd version gets you.

Anyway, the discussion goes on from there, including a discussion of the DMCA that again doesn't make much sense to me, but the business/economic analysis throughout doesn't strike me as accurate at all. It's still an interesting discussion, but frustrating because I wish there were at least someone on the panel who would challenge a lot of the "accepted wisdom," put forth by everyone, that doesn't seem to be accurate. Brad Smith, at one point, does point out that this is all a "revenue" problem, and does a pretty good job describing the revenue problem... but then falls into the trap of saying the law needs to "fix the piracy problem" because without that, business models can't be built up.

The last analysis I'll talk about that is again faulty from an economics standpoint again comes from Scott Martin at Paramount, where he tries to defend the importance of DRM, noting that if he flies into JFK he has various price options on transportation: he can buy a car, rent a car, take a cab or take a train. So there are price differentials. He says that without DRM, content is like saying his only option is to buy a car. That is, if he had DRM, they could offer different "rental options" for content, with "one day pricing or one week pricing." But that's totally wrong again. There's a reason for the differential pricing in the transportation options: it's related to the marginal cost of each option and the competitiveness of the market. That's what sets the prices. But with content, the marginal costs are zero, so what he's doing is trying to set up an artificial barrier to pretend the markets are the same.

While I like listening to these discussions, I just find the economic fallacies frustrating.

46 Comments | Leave a Comment..

 
Say That Again

Say That Again

by Mike Masnick


Filed Under:
content, economics, free, robert thompson



WSJ Editor: Those Who Believe Content Should Be Free Are Neanderthals

from the that,-or-people-who-understand-economics dept

Danny Sullivan has an excellent analysis of some of the more ridiculous statements from WSJ managing editor, Robert Thompson, trashing pretty much everything online. Most of Sullivan's analysis focuses on how ridiculous it is for Thompson to claim that Google makes news readers "promiscuous," so I won't address that again (though, you really should read Sullivan's writeup). Instead, I wanted to focus in one little bit that Sullivan mentions, but doesn't explore too much (other than to mention how insulting it is). Thompson declares that there are "three types of people" online, starting with:

There are the net neanderthals who think everything should be free all the time.
Pretty scary that someone who's the managing editor of the most well known and well-respected business newspaper out there thinks this, huh? First off, I don't know anyone who thinks "everything should be free all the time." People are more than willing to pay for scarce goods of value. Where they fundamentally have issues is with being charged for content that can be made free at no additional cost. And that's not "neanderthal" thinking, it's good old classic economics -- the kind we thought the WSJ supported.

And, of course, this also shows Thompson fundamentally not understanding the debate. For many, many years there's been plenty of "free content" in the terms of "free to the consumer" but which is supported in other ways. As Sullivan points out, News Corp., which owns the WSJ, also owns Fox -- which delivers free content, over the air, to consumers, but supported by advertising. Is that a Neanderthal opinion?

It really makes you wonder what they're thinking over at the WSJ or what sort of business smarts they have when they both consider Google to be a problem and think that basic economics on content pricing is "Neanderthal." It should call into question their thinking on other business topics as well. And, remember, this is the same company that is lashing out at "aggregators" like Google News, at the very same time that it's offering its own aggregator as well. If Thompson thinks Google News makes people promiscuous, why does his own site offer something similar?

42 Comments | Leave a Comment..

 
Overhype

Overhype

by Mike Masnick


Filed Under:
buy once, content, copyright, drm, fair use, keychest

Companies:
disney



Disney's Keychest: Is Giving Back Your Fair Use Rights With More DRM Really A Step Forward?

from the redefining-fair-use dept

A bunch of folks have sent in different stories about Disney's new "Keychest" technology offering, which would (in theory) allow users to purchase content that would be stored online, and which they could then access from any "participating service."

With Keychest, when a consumer buys a movie from a participating store, his accounts with other participating services--such as a mobile-phone provider or a video-on-demand cable service--would be updated to show the title as available for viewing. The movies wouldn't be downloaded; rather, they would reside with each particular delivery company, such as the Internet service provider, cable company or phone company.
The idea, supposedly is:
to address two of the biggest hurdles blocking widespread consumer adoption of movie downloads: the difficulty of playing a movie back on devices other than a PC or laptop, and limited storage space on those computers' hard drives.
Now, while you must admit that allowing people to access the same content after a single purchase on multiple devices is definitely a step up from the "old" way of doing things, it does kind of ignore some important points: such as the fact that, for the most part, you could already do this on your own. As we know, it's legal to rip your CD's and then store that content on an iPod or on your computer and listen to the music how you want to do so. And, even though this is perfectly legitimate fair use of content for movies as well, Hollywood has used the worst provision in the DMCA -- the anti-circumvention provision -- to block people from doing what is accepted fair use with movie and television content.

So all Keychest really seems to be doing is giving you back your fair use rights on content -- but also wrapping it in additional DRM, such that it only works on "participating services." Oh, and it could include other limitations as well:
And Keychest would allow movie studios to dictate how many devices, connected to which distribution networks, a given title can be played on.
So, kudos to Disney for recognizing that people hate having to buy the same content over and over again and hate being limited on what devices they can view content on... but, creating a new, more permissive DRM solution, just to give back some of an individual's fair use rights, isn't really a huge win.

15 Comments | Leave a Comment..

 
Culture

Culture

by Mike Masnick


Filed Under:
content, deals, music industry

Companies:
fabchannel



How The Record Labels Are Killing Innovative New Music Services: No Money, No Content

from the death-by-stupidity dept

A couple years ago, we discussed how Universal Music CEO Doug Morris gleefully explained how clueless he was about technology -- while also being quite ignorant of basic economics and business models. It's amazing that Vivedi has allowed him to remain in charge. One of the more stunning statements was that the idea that you had to give up some money now to make more in the future just means "someone, somewhere, is taking advantage of you." Apparently, the guy has never heard of investing and has no bank accounts that earn interest, because that's just "someone, somewhere... taking advantage."

With that said, the following really isn't all that surprising. Gerd Leonhard highlights the explanation of why concert video site FabChannel shut down:

No money means no content. That is the way the labels (major and independent) look at potential partnerships with internet companies. Even when it is obvious a service provides added value in promotion and sales, the mantra stays the same: no money, no content. Even when a service invests substantial amounts of money in creating high quality concert footage and an award winning platform to show it to the world, the mantra stays the same: no money, no content.

When you look at it from a label point of view, it might even look logical. Their business models have been hammered the last ten years by decreasing CD sales. Their radio, TV and newspaper partners are not doing their promotional job as they used to. And last but not least: the majority of consumers are now downloading tracks for free. All bad things for companies that invest in recordings of artists.

So the most important feature that new partners have to have is: MONEY. Money to counter the decrease in CD sales. Promotion has turned into a dirty word. MTV for example got big and wealthy by showing video clips paid for by the labels. So now these labels think: We will not let that happen again. From now on everybody who wants to become a media partner online is going to have to pay up front to even start.
It's hard to think of anything more short-sighted or suicidal. Here are all sorts of online companies looking to help promote your works better so that you can make more money, and the you decide that unless they give money up front, they need to be shut down. And we've seen this over and over again. It's why every hot new music startup ends up getting sued by the record labels, with the end result being either the site gets shut down, or the startup gives a big equity chunk to the labels, in combination with promises of impossible-to-afford payments. The record labels with their "no money, no content" mantra have destroyed their own business. So many services that could have helped better promote musicians killed off because of this silly and suicidal mantra. It makes you wonder how the management at those record labels keep their jobs. Don't they have boards and parent companies who monitor what's happening?

83 Comments | Leave a Comment..

 
Culture

Culture

by IC Expert,
David Title


Filed Under:
californication, content, dexter, free, showtime, tv



Did Showtime Benefit By Giving Away Free Content?

from the apparently dept

Here is yet another example of how "free" can co-exist with paid content, even when the content is basically identical.

Recently, Showtime made the season premiers of their hit shows DEXTER and CALIFORNICATION on YouTube for anyone to watch for free.  So, did this gut their numbers when the shows aired on their subscription-only, kind of expensive if you ask me, premium cable network?

Both Dexter and Californication scored some huge opening numbers last Sunday with Dexter setting a new opening record for the cable network.

More than 1.5 million sets of eyeballs tuned to the season four opener for Dexter and 821,000 stayed to watch the opener for Californication. That's 3 million single eyeballs for Dexter and more than 1.6 million for Californication.

Guess not.

Crossposted from MyMediaMusings

David Title is an expert at the Insight Community. To get insight and analysis from David Title and other experts on challenges your company faces, click here.

22 Comments | Leave a Comment..

 
Say That Again

Say That Again

by Mike Masnick


Filed Under:
business models, content, economics, movies, music, paul graham, software



Paul Graham: Content Really Was Just A Way To Mark Up Paper

from the welcome-to-the-future dept

YCombinator creator Paul Graham is the latest "deep thinker" to grasp the deeper economic meaning of infinite goods: they can't be sold. In fact, Graham recognizes that there's never been a real content business. It's always been about selling the scarcity:

Almost every form of publishing has been organized as if the medium was what they were selling, and the content was irrelevant. Book publishers, for example, set prices based on the cost of producing and distributing books. They treat the words printed in the book the same way a textile manufacturer treats the patterns printed on its fabrics.

Economically, the print media are in the business of marking up paper. We can all imagine an old-style editor getting a scoop and saying "this will sell a lot of papers!" Cross out that final S and you're describing their business model. The reason they make less money now is that people don't need as much paper.
He goes on to explore how this applies to music, movies, books, newspapers and software. From there, he comes to the same conclusion many of us have been discussing for years:
What happens to publishing if you can't sell content? You have two choices: give it away and make money from it indirectly, or find ways to embody it in things people will pay for.

The first is probably the future of most current media. Give music away and make money from concerts and t-shirts. Publish articles for free and make money from one of a dozen permutations of advertising. Both publishers and investors are down on advertising at the moment, but it has more potential than they realize.

I'm not claiming that potential will be realized by the existing players. The optimal ways to make money from the written word probably require different words written by different people.
Good stuff and worth reading the whole thing, though I think he misses one key important ingredient. If you take a step back and look at the overall economics of such markets, you quickly realize how much bigger they get when you free the content from the constraints and scarcity of physical media. This is the hardest part for some people to see, at times, but the key to recognizing it is realizing that the content itself is a resource, rather than a final product, and you've just increased the availability and massively decreased the cost of that resource -- and you can then use it (for free!) to make many other things more valuable. That, in a nutshell, is the most exciting part about freeing up digital content.

31 Comments | Leave a Comment..

 
Say That Again

Say That Again

by Mike Masnick


Filed Under:
content, david carr, journalism, micropayments, paywall



My Debate With The NY Times' David Carr Over Journalism Business Models

from the so-serious,-batman dept

Mark Glaser, from PBS's MediaShift invited me and NY Times columnist David Carr to have a back-and-forth debate over email, concerning business models for newspapers -- specifically questioning whether micropayments or a paywall of some kind makes sense. Carr supports some sort of "user pays" model for content, whereas I tend to think the idea would backfire badly. PBS has published the two part debate here:

  • Part I, where we disagree about what people will pay for, and talk a bit about newspaper economics (they're bad...).
  • Part II, where we continue to go back and forth, but eventually reach a bit of common ground in the middle (no, really!)
There's probably not that much surprising to folks around here if you read this site regularly, but it was a fun debate.

21 Comments | Leave a Comment..

 
Failures

Failures

by Mike Masnick


Filed Under:
blocking, browsers, content, skyfire

Companies:
boxee, hulu, skyfire



Content Owners Force Hulu To Block Mobile Browsers As Well

from the seriously? dept

I still can't figure out the reasons why content owners allowed Hulu to offer up TV shows in a browser... but then absolutely flipped out when they realized that the very same content can be seen on browsers on other devices as well. In the past, we've noted that Hulu was pressured to block the Boxee browser (which lets you view content on your TV) and the PS3's browser (also for TVs). Now, via hamill8152, we learn that Hulu is also blocking content on Skyfire, a mobile browser for Windows Mobile phones. The reasoning is the same as always (and, at the very least, kudos to Hulu for being upfront about the idiotic pressure it comes under from clueless content owners). Hulu explains the whole "windowing" thought process of the folks in Hollywood, and suggests that these windows will eventually go away. Of course, it's worth pointing out that Hollywood so disagrees with this that the MPAA has been pushing for ways to add more windows. Either way, the whole thing is silly. If you're putting your content on the internet, you're putting it on the internet. Pretending that televisions or mobile phones can't also view content on the internet makes no sense. One day, people in charge will understand this. Until then...

29 Comments | Leave a Comment..

 
(Mis)Uses of Technology

(Mis)Uses of Technology

by Mike Masnick


Filed Under:
business models, content, drm, economics, non-rivalrous, property, rivalrous



Bad Ideas: Trying To Make Content More Like Physical Property

from the bangs-head-on-desk dept

Let's play a little hypothetical. Let's say that someone had discovered a way to automatically -- without any additional cost -- create all the food that the world's population needed, and automatically have it appear wherever and whenever needed. Think of it like the "replicator" device in Star Trek, where you can just walk up to it, and it'll create whatever food you want. The entire issue of hunger and worries about the "scarce resource" of food would go away. Who, in their right mind, would want to break such a machine, and force this newly abundant resource back to being scarce?

Yet, that seems to be exactly what's happening in the music world. A whole bunch of folks have sent in this positively ridiculous attempt by some guy named Paul Sweazey to get the IEEE to endorse a new standard to make content act more like physical property by allowing it to be "stolen." It's basically a weird DRM system that would allow the content to be fully "taken away" from the original holder. I've read the article a few times, and I have to be honest, that I don't quite get it. Those who get the content would still be able to share the actual content with whoever they wanted, however many times they wanted it -- but there's a separate "playkey" and someone can "take" that away, such that those who had it before can't use it after. But why would anyone "take" the playkey, other than to be a jackass?

But the bigger issue is why bother in the first place? Why purposely try to limit an abundant resource by making it scarce? Sweazey claims:

His answer is that such freely-copiable goods breaks the basic business model of human commerce by making goods nonrivalrous; it no longer has aspects of a private good, and this makes it difficult to sell.
But, this is wrong. It shows an out-of-date understanding of economics. While it may mean that you can't directly create a (paid) market in that private good, it opens up and enables many more markets. Going back to the food analogy: if you had many more people in the world who weren't hungry, and didn't have to spend all their money on food or food production, would that be good or bad for the economy? It seems rather obvious that it would be good, as money could be spent on higher level things that expand the economy.

Taking an abundant resource and actively working to make it act like a scarce resource makes no sense. It limits progress and the wider economy, and it's the last thing that a group like the IEEE should be supporting.

66 Comments | Leave a Comment..

 
Overhype

Overhype

by Mike Masnick


Filed Under:
content, movies, rent, videos, youtube

Companies:
google, youtube



Does No One Remember That Google Tried And Failed To 'Rent' Videos Online In The Past?

from the short-memory-syndrome dept

The tech press is excitedly discussing the fact that YouTube is looking to work with movie studios to allow movie rentals, with many talking up how this is a way for Google to put in place a new business model for YouTube. But here's the thing: everyone seems to forget that, back when Google first launched Google Video (which was a competitor to YouTube before Google bought YouTube and merged the two), it was based on this very idea. You could "buy" videos on the site to watch. And what happened? It failed pretty miserably. People just weren't interested. Instead, they flocked to YouTube to get all that free content and community, and Google quietly changed around Google Videos' entire business model and concept, and then eventually realized that it couldn't compete, and so it bought YouTube.

So why would people suddenly be willing to pay when something that sounds nearly identical a few years ago failed to get much interest at all? Perhaps culture or technology has changed (it's easier to watch downloaded movies on a TV screen, certainly). But, I have to admit to being rather skeptical of this as a big business opportunity. We've already seen this movie, and it didn't end well.

24 Comments | Leave a Comment..

 
(Mis)Uses of Technology

(Mis)Uses of Technology

by Mike Masnick


Filed Under:
content, ebooks, kindle, sharing, social



Is The Kindle's Antisocial Nature Holding It Back?

from the interesting-quotes dept

We've discussed in the past how idea sharing and content sharing is "the new normal" for many people, thanks to the internet these days. The "old" view of things -- the broadcast view -- was that big professional creators of content or journalism put a stamp of approval on some content and shipped it along to a waiting audience. But, the rise of the internet has muddied this picture greatly, showing that people actually prefer to be a part of the process. They want to share content. They want to comment on it. They want to modify it. They want to link to it. They want to promote it. They want to respond to it.

Content, itself, has become part of the social process.

Now, we spend lots of time discussing how that's mucking around with business models based on the old view, but it may be causing some troubles for technology as well. In a brief message on Twitter, Mediashift author Mark Glaser, highlighted a fantastic point by Dan Pacheco about why he preferred an iPhone to a Kindle for reading content:

Most content I share starts from the iPhone. Kindle's antisocial nature is what bugs me most.
This point made me realize why I have so little interest in a Kindle. You can't do much with the content on it. It's delivered to you in that old "we're the content creators, you're the content recipient" method. You can annotate it for yourself, but it's not social at all. And these days, so many of us have learned to interact with content socially. For something like eBooks to really take off, my guess is that it will take a much more social approach, where people can do more to interact over the content that they're reading.

41 Comments | Leave a Comment..

 
Culture

Culture

by Mike Masnick


Filed Under:
business, content, creating, scott kurtz, separation, webcomics



Creating vs. Running A Business

from the a-good-discussion dept

When we talk about business models here, we often use music as an example, since the music industry is facing many of these issues a bit ahead of the curve from many other industries. However, some other industries are actually facing many of the same issues, and it's good to see what they have to say as well. For example, one of the key complaints that many people have when we show and discuss models that involve connecting with fans, is this odd claim that doing so means that the "creators" have to spend all their time "connecting" or "selling" or "running a business," rather than doing more creating. However, I've never thought that to be the case. I've said from very early on that the real point is that an artist can do that if they want, but that partners can and have sprung up to fill those roles. This is why I still think there's a big role for a "record label" to play, in handling much of that for the artists, so they can continue to focus on creating.

JLJ points out that a similar debate appears to be happening in the webcomics community, with Scott Kurtz, the author of PvP discussing the swinging pendulum between handing over nearly all control to a syndicate or marketing partner to a completely DIY model, and then hopefully back to some happy medium.

I think that's definitely what's happening in the music space -- but the nice thing is that it's not just a pendulum, but a spectrum, so that different artists can pick and choose what makes the most sense for them. Sometimes you come across artists who really want to be involved in the marketing and connecting and the selling. And sometimes, they don't. But the point is now they have the choice. And, even beyond that choice, within each aspect of the spectrum, there are many more options in terms of who to partner with and how to structure the deal. In the old system, you had a very small number of record labels or comic syndicates -- and, as such, they held all the power and could structure deals that were bordering on indentured servitude. But, with so many more options these days, the creators are actually taking back control. There's competition in the marketplace, and even if a creator wants nothing to do with the business and marketing side at all, it doesn't mean they have to sign a life sentence over to a business manager. And that's a very good thing for content creators.

11 Comments | Leave a Comment..

 
Culture

Culture

by Mike Masnick


Filed Under:
advertising, broadway, content, next to normal

Companies:
twitter



Content Is Advertising: Twitter On Broadway

from the tweet-the-play dept

We've talked a lot about how content is advertising, and we still get pushback from people who seem to think that we mean underhanded marketing or "product placement" is what we're talking about. But that's not it at all. We're talking about how good content is almost always advertising for something, and it need not be explicit at all. A great example of this is this NY Times article looking at how the Broadway play Next to Normal successfully used Twitter to promote itself. Rather than just setting up a feed to hype up the play, or to announce discounts, they actually had the playwright adapt the play for Twitter. And, from there, they ran the adapted version on Twitter, which built up a huge following, while specifically choosing not to go with a hard sell.

But it appears to have worked. The number of Twitter followers has ballooned, and there's been a nice correlation in ticket sales (admittedly, there may have been other factors as well, but there appears to be a lot of evidence that many attendees were drawn to it via the Twitter campaign). None of this was surreptitious. None of it involved "tricking" people. None of it involved "product placement." All it involved was making good use of good content to draw more attention -- and from there, people figured out what they wanted to buy. That's the point of content as advertising, and it's great to see it put to use so creatively.

17 Comments | Leave a Comment..

 
News You Could Do Without

News You Could Do Without

by Mike Masnick


Filed Under:
content, journalism, limits

Companies:
associated press



AP Continues To Misunderstand: You Don't Succeed By Limiting The Spread Of Content

from the backwards-again dept

Watching the Associated Press implode in public is, frankly, a bit disappointing. Here's an organization that has tremendous assets that could be put to amazing use in the creation and dissemination of online news... and it's basically doing everything backwards. Zachary Seward is posting some of the details of the AP's plans, as outlined in a memo sent to AP members, starting with its plan to hold back some of its content from the wire service. To be honest, without seeing the details, my first thought was that this could make a bit of sense. After all, the whole concept of a "wire service" online doesn't make much sense. It was designed to get news out to a number of different sources to make sure that all newspapers could cover some key stories. But when anyone can access any news online, redistributing the identical story to a bunch of different websites really seems rather pointless.

So I had hoped this was a recognition of the fact that this aspect of the AP's business didn't make much sense any more, and maybe (just maybe!) the AP was finally getting down to the business of learning how to use the web for what it's good at, rather than pretending it still needs to do what is no longer needed.

No such luck, unfortunately.

You see, the AP's plan is all about locking up content. The reason some content won't go out on the wire is because the AP (incorrectly) believes that it can hoard the content and get all the traffic, and thus it will screw over its members by not giving them the content. If I were a member paper, this would be the point at which I quit the AP. The AP is effectively saying "you'll get the content that doesn't matter, and which everyone has, and we'll keep the good stuff."

And, it gets even sillier, as the AP admits that it expects all its member papers to link back to this content that the AP will seek to control at the expense of its members, in order to generate Google juice to the AP's site, off the backs of its member papers. I can't see how this will help members at all, though it's likely to piss them off.

Perhaps that's a good thing, though the execution is bizarre. The AP's members may be a part of the problem, but trying to convince them that the AP hoarding content is better for them, and expecting them to buy it, seems like a long shot.

33 Comments | Leave a Comment..

 
Culture

Culture

by Mike Masnick


Filed Under:
comments, content, jobs, resume, slashdot



Can Your Slashdot Comments Get You A Job?

from the in-some-places,-apparently... dept

It always amuses me when people insist that no one would create content without getting paid for it, since that's clearly not true. Plenty of people produce all sorts of valuable content for a variety of other reasons -- and even if they don't get paid for it directly, down the road, it can lead to opportunities to get paid. A good example of that, obviously, is the open source community, where there are plenty of stories of active contributors leveraging their success in the community to find jobs. But can it apply to blog comments as well? Perhaps. Ian alerted us to the fact that the Software Freedom Law Center (SFLC) is looking to hire people on the PR side, and one of the things they're asking for (even before a resume) is a link to your Slashdot profile (or other similar "comment histories"). Who knew all those "first!" posts could be worth something...?

23 Comments | Leave a Comment..

 
Say That Again

Say That Again

by Mike Masnick


Filed Under:
anthony healy, content, copyright, internet, new zealand



This Is Wrong: 'Without The Content Industries, The Internet Would Be Empty'

from the let's-try-that-again dept

One of the annoying things about many in the entertainment industry who want to change the laws and the technology on the internet is that they've shown up late to the party. The internet was originally created as a communications medium, rather than a content one. And, for many years, it worked just fine -- and whatever "content" that was on the web was a part of the communications effort. It's only in the last decade or so (even less for some parts) that the old entertainment industry jumped online with its broadcast media mindset. But, rather than learning to understand and respect the fact that it's a communication medium, where things like sharing content aren't just possible, but the norm and an absolute "good thing," they simply insisted that something must be broken, and that it needed to be fixed.

They looked on the internet not for what it was (and is), but what they wanted it to be. To them, it was just a slightly more interactive version of what they had always done -- and they assumed that everyone would bow down to their wishes, because, obviously, everyone just wants that mass market content.

No statement encapsulates that more than the following, spoken by one Anthony Healy, director of the Australasian Performing Right Association, discussing the various proposals for new copyright laws in New Zealand, where he somehow states with a straight face:

"Without the content industries, the internet would be empty."
Oh really? Why not try it, and let's see. The quote, by the way, was brought to us by Andrew Dubber, who properly calls Healey the "Wrongest Man on the Internet, July 2009." However, this really is how some of these guys think. They don't think that the internet really existed before they discovered it, and they think that everyone logs onto YouTube just to catch the latest TV clips. They don't realize that people use it to communicate and share and collaborate -- and that's a lot more useful than using it to get fed some mass market entertainment junk.

56 Comments | Leave a Comment..

 

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